Antonio and Sebastian plot to kill Alonso, the King of Naples. After four acts in which Prospero uses magic to split up, disorient, and psychologically torture his enemies, in the final act he lures everyone to the same spot on the island and forgives Alonso and Antonio for their betrayal twelve years prior. As with many of Shakespeare's comedies, with which this play is loosely grouped, the resolution is anything but cut and dry. The Tempest ends with a general sense of resolution and hope. "The Tempest Act V Summary and Analysis". Learn exactly what happened in this chapter, scene, or section of The Tempest and what it means. There are also a few interesting allusions to English folk beliefs in Prospero's speeches, one of them with the "green sour ringlets" that he mentions (V.i.37). Despite the resolution of the main conflict, the end of Shakespeare’s play also plants the seeds for possible future conflict. What's Up With the Ending? As he has from the beginning, Ariel carries out Prospero's wishes efficiently and effectively. They are chased: What does Prospero promise to give Ariel at last? Similarities Between Principal Characters in Shakespeare's The Tempest, A Post-Colonial Interpretation of The Tempest, The Fierce and Mighty Sea; The Dramatic Function of the Powerful and Ever Present Ocean in The Tempest, The Sensitive Beast: Shakespeare's Presentation of Caliban. Medea and Sycorax represent a dark side of magic that is also present in Prospero; Prospero uses his magic for devious, selfish, and questionable purposes, and with him, it is difficult to separate the good-intentioned magic he uses from the bad. First of all, the very fact that they are playing chess may bode ill. When Prospero at last confronts Alonso and his brothers, he uses another ocean metaphor to describe the gradual process of Prospero's spell falling from them, and their minds returning to reason. Yet, Miranda openly admits to complicity in any cheating that Ferdinand might commit: "for a score of kingdoms you should wrangle, and I would call it fair play," she assures him, her remark forecasting that the same ambition, deceit, and struggle that marked their parents' lives shall also be present in their own (174-5). Ferdinand’s engagement to Miranda establishes a bond of kinship between Alonso and Prospero, further bridging that rift that separates them. Although Prospero does finally accept Caliban, he also still regards Caliban as being "as disproportioned in his manners as in his shape"; Prospero upholds his civilized superiority over this native, though to acknowledge Caliban and to also dislike his ways of being are completely contradictory views. Ferdinand has been made to take Caliban's place as a servant, despite his royal status; and though he does not like Prospero, he does the work because it will benefit his new love, Miranda.Ferdinand and Miranda express their love for each other, and both express their desire to be married though they have known each other for less than a day. Alonso and Prospero are reconciled after Alonso declares his remorse and repents his wrongs to Prospero and Miranda, and Prospero finally wins back his dukedom from Antonio. Ariel has readied Alonso's boat for their departure, and the boatswain shows up again, telling them about what happened to all of the sailors during the tempest. Nevertheless, it remains disconcerting that the sense of a new beginning that arises at the end of the play should be tinged with dishonesty. At the play's end, everyone is ready to head back to Naples, where Miranda and Ferdinand will get hitched before old Prospero retires to Milan. As for Caliban, the wrongs done to him are not redressed, and the poetic, noble sentiments that he shows within the play, especially in his beautiful speech about the island, do not reappear. The statement is perhaps too tidy a foreshadowing of the revelation that Ferdinand and Miranda are in fact alive, and will be united as king and queen; but, as in Act 1, an urgently expressed wish of one of the characters is fulfilled by the economical workings of the plot. Ariel reports that he has confined them, spellbound, in a grove of trees. Sycorax, the witch whom Prospero takes every opportunity to disparage but whom he resembles in his use of force, manipulative use of his magic, and past history, is actually based upon Ovid's portrayal of Medea; and, the relation between Prospero and Sycorax/Medea becomes more apparent in Prospero's speech, based upon the words of Medea. As for Antonio and Sebastian, they are not satisfactorily redeemed by the end of the play, and Prospero's forgiveness, though openly and freely declared at first, is almost rescinded when he finally addresses the pair. Ariel enchants the group to put most of them to sleep: What do Antonio and Sebastian try to do to Gonzalo and Alonso while they are asleep to kill them? The storm scene that opens The Tempest establishes nature as an important element of the play and emphasizes the role of nature in society. Prospero's first words suggest an alchemic metaphor; the words "gather to a head" denote things coming to a climax, but also liquid coming to a boil, and Prospero's "project" is a kind of scientific experiment as well. The "curfew" that Prospero mentions in the same speech marked the beginning of the time of night when spirits were believed to walk abroad, and fairies and other creatures were believed to cause their mischief then. Alonso, who thought his son had died in the shipwreck, feels completely renewed when he sees that Ferdinand has, in fact, survived. What had miranda told the listener about herself. The Tempest ends with a general sense of resolution and hope. A major theme running through the entire work is forgiveness versus vengeance; Prospero causes the tempest out of a wish for revenge, but by the end of the work, he decides to forgive the crimes against him, fabricated or otherwise. The remark could have been spurred purely by the briefly worded reunion of Alonso and his son Ferdinand; however, coming so soon after Sebastian's less-than-exuberant remark, and with so little buildup, it is unlikely that Miranda's remark can be construed in a purely positive way. Discovered Caliban, Ariel carries out Prospero 's big, nasty storm n't. Misled by Gonzalo 's typically optimistic appraisal of the island, revealing a mixed view of magic in Prospero.. 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